Paul Badura-Skoda Plays Ludwig van Beethoven
The Last Three Piano Sonatas and "Hammerklavier" Sonata No. 29
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GEN 14331 EAN 4260036253313
Release 5.9.2014Special offerEUR 18,90 EUR 16,90
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Once again, GENUIN combines old and new recordings by the Austrian piano grand seigneur Paul Badura-Skoda to form an exhilarating unity. His recording of Beethoven's Hammerklavier Sonata – the fourth-to-the-last sonata of the Master – is almost 40 years old, made in 1976, and it is combined here with the three last Beethoven sonatas, recorded by Badura-Skoda in late 2013. As always, our view of one of the great pianists of our time is rounded off by a profound text accompanying the master's recordings. An exemplary production!
Concertonet.com
"... celle d’un Beethoven clair, concis, chantant. Etre capable, à l’âge de 86 ans, de jouer Beethoven de cette manière-là a quelque chose de profondément émouvant. (...) a presque déjà valeur testamentaire."
Review on the French online magazine Concertonet.com by Gilles d’Heyres, 27 September 2014
Audio Player
Tracklist
- Ludwig van Beethoven (1770–1827)
Sonata No. 30 in E major, Op. 109 (1820)
CD 1 Recorded in 2013 - Ludwig van Beethoven (1770–1827)
Sonata No. 310 in A-flat major, Op. 110 (1821)
CD 1 Recorded in 2013 - Ludwig van Beethoven (1770–1827)
Sonata No. 32 in C minor, Op. 111 (1821/22)
CD 1 Recorded in 2013 - Ludwig van Beethoven (1770–1827)
Sonata No. 29 in B major, Op. 106 ("Hammerklavier", 1817/18)
CD 2 Recorded in 1976
Once again, GENUIN combines old and new recordings by the Austrian piano grand seigneur Paul Badura-Skoda to form an exhilarating unity. His recording of Beethoven's Hammerklavier Sonata – the fourth-to-the-last sonata of the Master – is almost 40 years old, made in 1976, and it is combined here with the three last Beethoven sonatas, recorded by Badura-Skoda in late 2013. As always, our view of one of the great pianists of our time is rounded off by a profound text accompanying the master's recordings. An exemplary production!
Concertonet.com
"... celle d’un Beethoven clair, concis, chantant. Etre capable, à l’âge de 86 ans, de jouer Beethoven de cette manière-là a quelque chose de profondément émouvant. (...) a presque déjà valeur testamentaire."
Review on the French online magazine Concertonet.com by Gilles d’Heyres, 27 September 2014
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