"Can You Understand the Song?"
Songs of Flowers and Trees
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GEN 25936 EAN: 4260036259360
10.10.2025Offer until 31.10.25EUR 18,90 EUR 16,90
Release in October 2025
Pre-order now!
Catalina Bertucci (soprano), Georg Poplutz (tenor), and Tatjana Dravenau (piano) don’t just say it „between the flowers“ on their new GENUIN album – they gather lieder from the 19th and 20th centuries that revolve around the theme of flowers and trees. Music and poetry speak directly and clearly of the associations between the language of love and the plant world – associations that were clear and unmistakable to people of the Romantic era, but which must be decoded anew for us today. These three remarkable artists uncover that hidden language in the most beautiful and sensuous way: through dreamlike interpretations of lieder from Schubert to Schonthal, Loewe to Faltis, and Kralik to Schumann.
Catalina Bertucci Soprano
Georg Poplutz
Tatjana Dravenau piano
Catalina Bertucci (soprano), Georg Poplutz (tenor), and Tatjana Dravenau (piano) don’t just say it „between the flowers“ on their new GENUIN album – they gather lieder from the 19th and 20th centuries that revolve around the theme of flowers and trees. Music and poetry speak directly and clearly of the associations between the language of love and the plant world – associations that were clear and unmistakable to people of the Romantic era, but which must be decoded anew for us today. These three remarkable artists uncover that hidden language in the most beautiful and sensuous way: through dreamlike interpretations of lieder from Schubert to Schonthal, Loewe to Faltis, and Kralik to Schumann.
Audio Player
Tracklist
- Engelbert Humperdinck (1854–1921)
Blumensprache - Franz Schubert (1797–1828)
Der Blumenbrief, D. 622 - Franz Schubert
Die Blumensprache, D. 519, op. 173,5 - Joseph Joachim Raff (1822–1882)
Blumensprache, op. 191,5
Myrthe - Mathilde von Kralik (1857–1944)
Blumenlieder
Himmelschlüssel - Franz Salmhofer (1900–1975)
Heiteres Herbarium
Scharbockskraut - Richard Strauss (1864–1949)
Mädchenblumen, op. 22,3
Epheu - Benedict Randhartinger (1802–1893)
Du bist wie eine Blume - Fanny Hensel (1805–1847)
6 Lieder, op. 1,3
Warum sind denn die Rosen so blass? - Robert Schumann (1810–1856)
6 Gedichten von N. Lenau und Requiem, op. 90,2
Meine Rose - Ingeborg Bronsart (1840–1913)
3 Lieder, op. 25,2
Das Heidenröslein - Luise Adolpha Le Beau (1850–1927)
3 Lieder, op. 39,3
Der Rose Bitte - Edvard Grieg (1843–1907)
6 Lieder, op. 48,5
Zur Rosenzeit - Hugo Wolf (1860–1903)
Mörike-Lieder
No. 14: Agnes - Robert Schumann
7 Lieder, op. 104,6
Die letzten Blumen starben - Ruth Schonthal (1924–2006)
Wildunger Liederzyklus Band 1, Nr. 1
Eine rote Rose - Carl Loewe (1796–1869)
Der Heinesche Liederkreis, op. 9,1, Heft 1
Die Lotosblume - Carl Loewe
Die schlanke Wasserlilie - Franz Liszt (1811–1886)
Die stille Wasserrose - Richard Strauss
Mädchenblumen, op. 22,4
Wasserrose - Edvard Grieg
6 Lieder, op. 48,4
Die verschwiegene Nachtigall - Othmar Schoeck (1886–1957)
Das stille Leuchten, op. 60,24
Schwarzschattende Kastanie - Evelyn Faltis (1887–1937)
Zwei Lieder, op. 14,2
Der Kirschbaum - Joseph Marx (1882–1964)
Lieder und Gesänge, 2. Folge, Nr. 17
Ein Fichtenbaum steht einsam - Josephine Lang (1815–1880)
Sechs Deutsche Lieder, op. 40,5
Und wüssten’s die Blumen, die kleinen - Robert Schumann
Lieder und Gesänge, op. 77,2, Heft 3
Mein Garten
Catalina Bertucci (soprano), Georg Poplutz (tenor), and Tatjana Dravenau (piano) don’t just say it „between the flowers“ on their new GENUIN album – they gather lieder from the 19th and 20th centuries that revolve around the theme of flowers and trees. Music and poetry speak directly and clearly of the associations between the language of love and the plant world – associations that were clear and unmistakable to people of the Romantic era, but which must be decoded anew for us today. These three remarkable artists uncover that hidden language in the most beautiful and sensuous way: through dreamlike interpretations of lieder from Schubert to Schonthal, Loewe to Faltis, and Kralik to Schumann.