La flûte enchantée

CD album cover 'La flûte enchantée' (GEN 14318) with Hans-Udo Heinzmann, Elisaveta Blumina

GEN 14318 EAN: 4260036253184

5.9.2014Special offer
18.90 € 16.90 €

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The turn of the century in 1900 was once called the golden age of the flute. And here, Hans-Udo Heinzmann introduces three works from this period together with his piano partner Elisaveta Blumina on his fourth GENUIN CD. Debussy's "Afternoon of a Fawn", perhaps the best-known flute work of all time, is supplemented by César Franck's brilliant Sonata in A major and the weighty, passionate and unjustly neglected Sonata by Joseph Jongens. These three pieces portray a universe in miniature, and Heinzmann allows his instrument to shine, cajole and shimmer in the French style, with all the clarity of the Mediterranean world!

Fanfare
"impressive"
Review on the magazine Fanfare by Ronald E. Grames, 8 May 2015

Hans-Udo Heinzmann flute
Elisaveta Blumina Piano

The turn of the century in 1900 was once called the golden age of the flute. And here, Hans-Udo Heinzmann introduces three works from this period together with his piano partner Elisaveta Blumina on his fourth GENUIN CD. Debussy's "Afternoon of a Fawn", perhaps the best-known flute work of all time, is supplemented by César Franck's brilliant Sonata in A major and the weighty, passionate and unjustly neglected Sonata by Joseph Jongens. These three pieces portray a universe in miniature, and Heinzmann allows his instrument to shine, cajole and shimmer in the French style, with all the clarity of the Mediterranean world!

Fanfare
"impressive"
Review on the magazine Fanfare by Ronald E. Grames, 8 May 2015

The turn of the century in 1900 was once called the golden age of the flute. And here, Hans-Udo Heinzmann introduces three works from this period together with his piano partner Elisaveta Blumina on his fourth GENUIN CD. Debussy's "Afternoon of a Fawn", perhaps the best-known flute work of all time, is supplemented by César Franck's brilliant Sonata in A major and the weighty, passionate and unjustly neglected Sonata by Joseph Jongens. These three pieces portray a universe in miniature, and Heinzmann allows his instrument to shine, cajole and shimmer in the French style, with all the clarity of the Mediterranean world!

Fanfare
"impressive"
Review on the magazine Fanfare by Ronald E. Grames, 8 May 2015