Confluences—Flute, Cello and Piano

CD album cover 'Confluences—Flute, Cello and Piano' (GEN 21749) with Atsuko Koga, Georgiy Lomakov, Radoslaw Kurek

GEN 21749 EAN 4260036257496

Release 5.3.2021Special offer
EUR 18,90 EUR 16,90

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link to PDF booklet


On their new GENUIN CD, the internationally award-winning flutist Atsuko Koga and her fellow musicians Georgiy Lomakov (cello) and Radoslaw Kurek (piano) bring together music by Ludwig van Beethoven, Gabriel Fauré, and Charles Martin Loeffler. The trio's airy, free sound with its unusual combination of instruments is a perfect match for the three works, which represent the piano trio genre in completely different ways: Beethoven's Gassenhauer Trio as an amusing and witty play on stereotypes of its time, Fauré's late work as a detached and intimate meditation, and finally Loeffler's misty impressionistic poems—an absolute discovery!

link to PDF booklet


On their new GENUIN CD, the internationally award-winning flutist Atsuko Koga and her fellow musicians Georgiy Lomakov (cello) and Radoslaw Kurek (piano) bring together music by Ludwig van Beethoven, Gabriel Fauré, and Charles Martin Loeffler. The trio's airy, free sound with its unusual combination of instruments is a perfect match for the three works, which represent the piano trio genre in completely different ways: Beethoven's Gassenhauer Trio as an amusing and witty play on stereotypes of its time, Fauré's late work as a detached and intimate meditation, and finally Loeffler's misty impressionistic poems—an absolute discovery!

link to PDF booklet


On their new GENUIN CD, the internationally award-winning flutist Atsuko Koga and her fellow musicians Georgiy Lomakov (cello) and Radoslaw Kurek (piano) bring together music by Ludwig van Beethoven, Gabriel Fauré, and Charles Martin Loeffler. The trio's airy, free sound with its unusual combination of instruments is a perfect match for the three works, which represent the piano trio genre in completely different ways: Beethoven's Gassenhauer Trio as an amusing and witty play on stereotypes of its time, Fauré's late work as a detached and intimate meditation, and finally Loeffler's misty impressionistic poems—an absolute discovery!

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