Beethoven: Piano Sonatas

CD album cover 'Beethoven: Piano Sonatas' (GEN 26998d) with Evgenia Rubinova

GEN 26998d EAN 4260036259988

Release 6.11.2026

Release in November 2026

-- digital release --

Available on all streaming and download platforms

link to PDF booklet

A universe in a nutshell, an entire world on a single album: on her new GENUIN release, the award-winning pianist Evgenia Rubinova traces the development of Beethoven’s piano style through five sonatas. The program ranges from underrated early works (Op. 10) and a lesser-known work from his middle period (Op. 54) to two singular achievements of his late style, the “Hammerklavier” Sonata, Op. 106, and Op. 109. Rubinova’s playing seems tailor-made for this repertoire: explosive yet precise in her articulation, she brings the music’s energy and tensions vividly to life. At every turn, Beethoven’s ability becomes apparent: his capacity to take what already exists, transform it, and create something radically his own.

link to PDF booklet

A universe in a nutshell, an entire world on a single album: on her new GENUIN release, the award-winning pianist Evgenia Rubinova traces the development of Beethoven’s piano style through five sonatas. The program ranges from underrated early works (Op. 10) and a lesser-known work from his middle period (Op. 54) to two singular achievements of his late style, the “Hammerklavier” Sonata, Op. 106, and Op. 109. Rubinova’s playing seems tailor-made for this repertoire: explosive yet precise in her articulation, she brings the music’s energy and tensions vividly to life. At every turn, Beethoven’s ability becomes apparent: his capacity to take what already exists, transform it, and create something radically his own.

link to PDF booklet

A universe in a nutshell, an entire world on a single album: on her new GENUIN release, the award-winning pianist Evgenia Rubinova traces the development of Beethoven’s piano style through five sonatas. The program ranges from underrated early works (Op. 10) and a lesser-known work from his middle period (Op. 54) to two singular achievements of his late style, the “Hammerklavier” Sonata, Op. 106, and Op. 109. Rubinova’s playing seems tailor-made for this repertoire: explosive yet precise in her articulation, she brings the music’s energy and tensions vividly to life. At every turn, Beethoven’s ability becomes apparent: his capacity to take what already exists, transform it, and create something radically his own.

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